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Melancholy Emotion in Contemporary Cinema - A Spinozian Analysis of Film Experience (Paperback) Loot Price: R1,287
Discovery Miles 12 870
Melancholy Emotion in Contemporary Cinema - A Spinozian Analysis of Film Experience (Paperback): Francesco Sticchi

Melancholy Emotion in Contemporary Cinema - A Spinozian Analysis of Film Experience (Paperback)

Francesco Sticchi

Series: Routledge Advances in Film Studies

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Loot Price R1,287 Discovery Miles 12 870 | Repayment Terms: R121 pm x 12*

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This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi's exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza's embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer's emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza's thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.

General

Imprint: Routledge
Country of origin: United Kingdom
Series: Routledge Advances in Film Studies
Release date: September 2020
First published: 2019
Authors: Francesco Sticchi
Dimensions: 229 x 152 x 19mm (L x W x T)
Format: Paperback
Pages: 198
ISBN-13: 978-0-367-66342-1
Categories: Books > Reference & Interdisciplinary > Communication studies > Media studies
Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Humanities > Philosophy > Topics in philosophy > Aesthetics
Books > Philosophy > Topics in philosophy > Aesthetics
LSN: 0-367-66342-2
Barcode: 9780367663421

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