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Melancholy Emotion in Contemporary Cinema - A Spinozian Analysis of Film Experience (Paperback)
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Melancholy Emotion in Contemporary Cinema - A Spinozian Analysis of Film Experience (Paperback)
Series: Routledge Advances in Film Studies
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This work outlines a new methodology for film analysis based on the
radical materialist thought of Baruch Spinoza, re-evaluating
contemporary cognitive media theory and philosophical theories on
the emotional and intellectual aspects of film experience.
Sticchi's exploration of Spinozian philosophy creates an
experiential constructive model to blend the affective and
intellectual aspects of cognition, and to combine it with different
philosophical interpretations of film theory. Spinoza's embodied
philosophy rejected logical and ethical dualisms, and established a
perfect parallelism between sensation and reason and provides the
opportunity to address negative emotions and sad passions without
referring exclusively to traditional notions such as catharsis or
sublimation, and to put forth a practical/embodied notion of
Film-Philosophy. This new analytical approach is tested on four
case studies, films that challenge the viewer's emotional
engagement since they display situations of cosmic failure and
depict controversial and damaged characters: A Serious Man (2009);
Melancholia (2011); The Act of Killing (2012) and Only Lovers Left
Alive (2013). This book is an important addition to the literature
in Film Studies, particularly in Cognitive Film Theory and
Philosophy of Film. Its affective and semantic analyses of film
experience (studies of embodied conceptualisation), connecting
Spinoza's thought to the analysis of audiovisual media, will also
be of interest to Philosophy scholars and in academic courses of
film theory, film-philosophy and cognitive film studies.
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