'Let him kill a lion with a pestle, husband; let him kill a lion
with a pestle.'
So exclaims the Grocer's wife who, with her husband and
servants, is attending one of the London's elite playhouses where a
theatre comany has just begun to perform. Peeved at the fact that
all the plays they see are satires on the lives and values of
London's citizenry, the Grocer and his wife interrupt and demand a
play that instead contains chivalric quests and courtly love.
What's more, they nominate their apprentice Rafe to take on the
hero's role of the knight in this entirely new play.
The author, Francis Beaumont, ends up not just satirising the
grocers' naive taste for romance but parodying his own example of
citizen comedy. This play-within-a-play becomes a pastiche of
contemporary plays that scorned those who were not courtiers or at
least gentlemen or ladies. Like Cervantes in Don Quixote, Beaumont
exposes the folly of those that take representations for realities,
but also celebrates their idealism and love of adventure.
The editor, Michael Hattaway, is editor of plays by Shakespeare
and Jonson as well as of several volumes of critical essays, and
author of "Elizabethan Popular Theatre, Hamlet: The Critics Debate,
"and "Renaissance and Reformations: An Introduction to Early Modern
English Literature." He is Professor Emeritus of English Literature
in the University of Sheffield.
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