The study of musical instruments now no longer with us is
necessary, not only for the musician and composer, but for the man
of letters, the artist, and the chronicler of our national life;
for many allusions to customs of bygone times cannot otherwise be
understood, and we should be spared such a trying ordeal as we were
recently subjected to by one of our leading illustrated papers,
which introduced into a thirteenth century scene a twentieth
century mandoline with an up to date mechanism.
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