As a category in art history, circulation is rooted in the
contemporary context of Internet culture and the digital image. Yet
circulation, as a broader concept for the movement of art across
time and space in vastly different cultural and media contexts, has
been a factor in the history of the arts in the United States since
at least the eighteenth century. The third volume in the Terra
Foundation Essays series, Circulation brings together an
international and interdisciplinary team of scholars, including
Thierry Gervais, Tom Gunning, J. M. Mancini, Frank Mehring, and
Hela ne Valance, who map the multiple planes where artistic meaning
has been produced by the circulation of art from the eighteenth
century to the present. The book looks at both broad historical
trends and the successes and failures of particular works of art
from a wide variety of artists and styles. Together, the
contributions significantly expand the conceptual and
methodological terrain of scholarship on American art.
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