Twenty years after cultivating a new orientation for aesthetics via
the concept of non-photography, Francois Laruelle returns, having
further developed his notion of a non-standard aesthetics.
Published for the first time in a bilingual edition,
"Photo-Fiction, a Non-Standard Aesthetics" expounds on Laruelle's
current explorations into a photographic thinking as an alternative
to the worn-out notions of aesthetics based on an assumed
domination of philosophy over art. He proposes a new philosophical
photo-fictional apparatus, or philo-fiction, that strives for a
discursive mimesis of the photographic apparatus and the flash of
the Real entailed in its process of image making. "A bit like if an
artisan, to use a Socratic example, instead of making a camera
based off of diagrams found in manuals, on the contrary had as his
or her project the designing of a completely new apparatus of
philo-fiction, thus capable of producing not simply photos, but
photo-fictions." One must enter into a space for seeing the
vectorial and the imaginary number. Laruelle's philo-fictions
become not art installations, but "theoretical installations"
calling for the consideration of the possibility of a non-standard
aesthetics being of an equal or superior power to art and
philosophy, an aesthetics in-the-last-instance that is itself an
inventive and creative act of the most contemporary kind.
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