Brown proposes a theory of poetic metaphor that attempts to account
for literature's complex role in the discovery and creation of
significant patterns within both language and life. He shows that
while poetic and conceptual modes of discover are different, they
are nevertheless mutually interdependent. In particular, Brown
offers a new view of the way in which theological and metaphysical
concepts grow out of, and are transfigured by, metaphoric
expression. This view is expressed in a detailed and original
analysis of the structure and dynamics of T.S. Eliot's "Four
Quartets" that lies at the heart of the study.
Originally published in 1983.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the
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