Although much has been written about literary, cultural, and
artistic influences in the work of Cervantes, at the time of this
book's publication very little had been said about his interest in
the classics. Frederick de Armas argues convincingly in this book
that throughout his literary career, Cervantes was interested in
the classical authors of Greece and Rome. Rather than looking at
Cervantes' texts in relation to other literary works, this book
demonstrates how Cervantes' experiences in Italy and his
observation of Italian Renaissance art - particularly the works of
Raphael at the Vatican - led him to create new images and
structures in his works.
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