The environment in which arts organisations function has changed
dramatically in the 29 years since the first National Endowment for
the Arts (NEA) Survey of Public Participation in the Arts (SPPA).
Alternatives for arts and entertainment activities have
proliferated, and expectations for personalisation and individual
control over those experiences have increased. The proliferation of
new technologies for interacting with digital content is occurring
at a heightened pace, while the nation's demographic
characteristics grow increasingly diverse. This book provides an
overview of the SPPA, which was first conducted in 1982, and serves
as the longest-standing resource for studying U.S. adult levels of
arts attendance, personal arts creation and performance, and arts
participation through electronic media.
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