Both the identity of dance and that of theory are at risk as
soon as the two intertwine. This anthology collects observations by
choreographers and scholars, dancers, dramaturges and dance
theorists in an effort to trace the multiple ways in which dance
and theory correlate and redefine each other: What is the nature of
their relationship? How can we outline a theory of dance from our
particular historical perspective which will cover dance both as a
practice and as an academic concept? The contributions examine
which concepts, interdependencies and discontinuities of dance and
theory are relevant today and promise to engage us in the future.
They address crucial topics of the current debate in dance and
performance studies such as artistic research, aesthetics,
politics, visuality, archives, and the "next generation."
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