"Linda di Chamounix" provides a fascinating case study of
Donizetti's habit of frequent rewriting, as it underwent three
significant revisions in the year following its 1842 permiere. This
critical edition of Linda di Chamounix, using sources that in some
cases have never before been studied, allows performers and
scholars to reconstruct all three versions. Appendixes include a
contemporary orchestration of the stage band part and an early
version of the first-act tenor aria which was replaced before the
premiere and never performed.
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