Though modern readers no longer believe in the four humors of
Galenic naturalism--blood, choler, melancholy, and phlegm--early
modern thought found in these bodily fluids key to explaining human
emotions and behavior. In "Humoring the Body, "Gail Kern Paster
proposes a new way to read the emotions of the early modern stage
so that contemporary readers may recover some of the historical
particularity in early modern expressions of emotional
self-experience.
Using notions drawn from humoral medical theory to untangle
passages from important moral treatises, medical texts, natural
histories, and major plays of Shakespeare and his contemporaries,
Paster identifies a historical phenomenology in the language of
affect by reconciling the significance of the four humors as the
language of embodied emotion. She urges modern readers to resist
the influence of post-Cartesian abstraction and the disembodiment
of human psychology lest they miss the body-mind connection that
still existed for Shakespeare and his contemporaries and
constrained them to think differently about how their emotions were
embodied in a premodern world.
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