Ranging from the panoramic novels of Dickens to the horror of
Dracula, Gail Turley Houston examines the ways in which the
language and imagery of economics, commerce and banking are
transformed in Victorian Gothic fiction, and traces literary and
uncanny elements in economic writings of the period. Houston shows
how banking crises were often linked with ghosts or inexplicable
non-human forces and financial panic was figured through Gothic or
supernatural means. In Little Dorrit and Villette characters are
literally haunted by money, while the unnameable intimations of
Dracula and Dr Jekyll and Mr Hyde are represented alongside realist
economic concerns. Houston pays particular attention to the term
'panic' as it moved between its double uses as a banking term and a
defining emotion in sensational and Gothic fiction. This
stimulating interdisciplinary book reveals that the worlds of
Victorian economics and Gothic fiction, seemingly separate,
actually complemented and enriched each other.
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