This book brings together thirteen scholars to introduce the newest
and most cutting-edge research in the field of Russian and East
European art history. Reconsidering canonical figures, re-examining
prevalent debates, and revisiting aesthetic developments, the book
challenges accepted histories and entrenched dichotomies in art and
architecture from the nineteenth century to the present. In doing
so, it resituates the artistic production of this region within
broader socio-cultural currents and analyzes its interconnections
with international discourse, competing political and aesthetic
ideologies, and continuous discussions over identity.
General
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