This study examines the literary complexities of the poetry which
Ovid wrote in Tomis, his place of exile on the coast of the Black
Sea after he was banished from Rome by the emperor Augustus in AD 8
because of the alleged salaciousness of the Ars Amatoria and a
mysterious misdemeanour which is nowhere explained. Exile
transforms Ovid into a melancholic poet of despair who claims that
his creative faculties are in terminal decline. But research has
exposed the ironic disjunction between many of the poet's claims
and the latent artistry which belies them. Through a series of
close readings which offer an analytical contribution to the
scholarly evaluation of the exile poetry, Dr Williams examines the
nature and the extent of Ovidian irony in Tomis and demonstrates
the complex literary designs which are consistently disguised under
a veil of dissimulation.
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