Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
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Between Film and Screen (Paperback, 2nd Ed.)
Loot Price: R1,393
Discovery Miles 13 930
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Between Film and Screen (Paperback, 2nd Ed.)
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Photography might be called the lost cause of cinema, gone in
projection and too soon forgotten. But what is the mysterious
region between photography and narrative cinema, between the
photogram--a single film frame--and the illusion of motion we
recognize as the movies?
In this ambitious, sophisticated study, Garrett Stewart discusses
the photogram not only as the undertext of screen images but also
in its unexpected links to the early modernist writings of James,
Conrad, Forster, Joyce, and others. Engaging the work of such media
theorists as Eisenstein, Benjamin, Kracauer, Bazin, Baudry, Cavell,
Deleuze, and Jameson, this study pursues the suppressed photogram
as it ripples the narrative surface of several dozen films from
Lang and Chaplin through Bergman, Coppola, and beyond. To locate
the exact repercussions of such effects, Stewart includes over
three hundred frame enlargements drawn from genres as different as
science fiction, film noir, and recent Victorian costume drama.
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