Television is a form of media without equal. It has
revolutionized the way we learn about and communicate with the
world and has reinvented the way we experience ourselves and
others. More than just cheap entertainment, TV is an undeniable
component of our culture and contains many clues to who we are,
what we value, and where we might be headed in the future.
Media historian Gary R. Edgerton follows the technological
developments and increasing cultural relevance of TV from its
prehistory (before 1947) to the Network Era (1948-1975) and the
Cable Era (1976-1994). He begins with the laying of the first
telegraph line in 1844, which gave rise to the idea that images and
sounds could be transmitted over long distances. He then considers
the remodeling of television's look and purpose during World War
II; the gender, racial, and ethnic components of its early
broadcasts and audiences; its transformation of postwar America;
and its function in the political life of the country. He talks of
the birth of prime time and cable, the influence of innovators like
Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as
television's entrance into the international market, describing the
ascent of such programs as "Dallas" and "The Cosby Show," and the
impact these exports have had on transmitting American culture
abroad.
Edgerton concludes with a discerning look at our current Digital
Era (1995-present) and the new forms of instantaneous communication
that continue to change America's social, political, and economic
landscape. Richly researched and engaging, Edgerton's history
tracks television's growth into a convergent technology, a global
industry, a social catalyst, a viable art form, and a complex and
dynamic reflection of the American mind and character. It took only
ten years for television to penetrate thirty-five million
households, and by 1983, the average home kept their set on for
more than seven hours a day. "The Columbia History of American
Television" illuminates our complex relationship with this singular
medium and provides historical and critical knowledge for
understanding TV as a technology, an industry, an art form, and an
institutional force.
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