This text offers scholarly and critical editions of significant
novels of Gothic fiction from the Romantic period. It aims to
broaden understanding of the diversity of female writers to new
forms of the novel; to social criticism during the French
Revolution debate and its aftermath; and to new models of social
identity and relations during the formation of Romantic nationalsim
and the modern liberal state. The form of female gothic romance
first achieved controversial prominence in the late 18th and early
19th century. It evolved through the 19th and into the late 20th
century in works ranging from the high literary novels of the
Bronte sisters to the popular gothic romances and sensational
novels of mass print. This book illustrates the various forms of
female gothic literature as a vehicle for representing the modern
forms of subjectivity, or complex and authentic inward experience
and identity.
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