In this bold recasting of operatic history, Gary Tomlinson
connects opera to shifting visions of metaphysics and selfhood
across the last four hundred years. The operatic voice, he
maintains, has always acted to open invisible, supersensible realms
to the perceptions of its listeners. In doing so, it has
articulated changing relations between the self and metaphysics.
Tomlinson examines these relations as they have been described by
philosophers from Ficino through Descartes, Kant, and Nietzsche, to
Adorno, all of whom worked to define the subject's place in both
material and metaphysical realms. The author then shows how opera,
in its own cultural arena, distinct from philosophy, has repeatedly
brought to the stage these changing relations of the subject to the
particular metaphysics it presumes.
Covering composers from Jacopo Peri to Wagner, from Lully to
Verdi, and from Mozart to Britten, Metaphysical Song details
interactions of song, words, drama, and sounds used by creators of
opera to fill in the outlines of the subjectivities they
envisioned. The book offers deep-seated explanations for opera's
enduring fascination in European elite culture and suggests some of
the profound difficulties that have unsettled this fascination
since the time of Wagner.
General
Imprint: |
Princeton University Press
|
Country of origin: |
United States |
Series: |
Princeton Studies in Opera |
Release date: |
February 1999 |
First published: |
February 1999 |
Authors: |
Gary Tomlinson
|
Dimensions: |
254 x 197 x 10mm (L x W x T) |
Format: |
Paperback
|
Pages: |
192 |
Edition: |
New |
ISBN-13: |
978-0-691-00409-9 |
Categories: |
Books
Promotions
|
LSN: |
0-691-00409-9 |
Barcode: |
9780691004099 |
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