Between Renaissance and Baroque is a stunning achievement - the
first book to be written about the original painting commissions of
the Jesuits in Rome. Offering a uniquely comprehensive and
comparative analysis of the paintings and stuccoes which adorned
all of the Jesuit foundations in the city during their first half
century of existence, the study treats some of the most crucial
monuments of late Renaissance painting including the original
decorations of the church of the Ges? and the Collegio Romano, and
the martyrdom frescoes at S. Stefano Rotondo.
Based on extensive new archival research from Rome, Florence,
Parma, and Perugia, Gauvin Alexander Bailey's study presents an
original, revisionist treatment of Italian painting in the last
four decades of the sixteenth century, a critical transitional
period between Renaissance and Baroque. Bailey relates the Jesuit
painting cycles to the great religious and intellectual climate of
the period, isolates the new stylistic trends which appeared after
the Council of Trent, and looks at the different ways in which
artists met the challenges for devotional art made by the religious
climate of the post-Tridentine period.
Bailey also succeeds in providing the first ever written
reconstructions of the Jesuit churches of S. Tommaso di Canterbury,
S. Saba, and S. Apollinare, and the original novitiate complex of
S. Andrea al Quirinale, the site of the most complex and original
hospital decoration in late Renaissance Italy. Through these
reconstructions, Bailey sheds new light on such works as Louis
Riche?me's meditation manual on the paintings at S. Andrea, "Le
peinture spirituelle," a lively and detailed treatise on late
Renaissance art that has never before been the subject of a
thorough study. Ultimately, Bailey provides us with a new
understanding of the stylistic and iconographic strands which
shortly afterward were woven together to form the Baroque.
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