Social change does not simply result from resistance to the
existing set of conditions but from adapting and transforming the
technical apparatus itself. Walter Benjamin in his essay "The
Author as Producer" (written in 1934) recommends that the `cultural
producer' intervene in the production process, in order to
transform the apparatus in the manner of an engineer.This
collection of essays and examples of contemporary cultural
practices (the second in the DATA browser series) asks if this
general line of thinking retains relevance for cultural production
at this point in time - when activities of production, consumption
and circulation operate through complex global networks served by
information technologies. In the 1930s, under particular conditions
and against the backdrop of fascism, a certain political optimism
made social change seem more possible. Can this optimism be
maintained when technology operates in the service of capital in
ever more insidious ways?
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