During the French Revolution most performances on the London stage
were strictly censored, but political attitudes found indirect
expression. New and popular genres like pantomime, gothic drama,
history plays, musical and spectacular entertainment, and, above
all, melodrama provided metaphors for the hopes and fears inspired
by the conflict in France and subsequent European wars. This 2001
book looks at how British drama and popular entertainment were
affected by the ideas and events of the French Revolution and
Napoleonic Wars. He argues that melodrama had its origins in this
period, with certain gothic villains displaying qualities
attributed to Robespierre and Napoleon, and that recurrent images
of incarceration and dispossession reflected fears of arbitrary
persecution, from the tyranny of the Bastille to the Jacobin's
Reign of Terror. By a cultural analysis of the popular
entertainment and theatre performances of the eighteenth and
nineteenth centuries Taylor reveals issues of ideological conflict
and psychological stress.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
December 2006 |
First published: |
October 2006 |
Authors: |
George Taylor
|
Dimensions: |
228 x 151 x 15mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
276 |
Edition: |
New ed |
ISBN-13: |
978-0-521-03464-7 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Theatre, drama >
General
|
LSN: |
0-521-03464-7 |
Barcode: |
9780521034647 |
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