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The Eye of History - When Images Take Positions (Hardcover)
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The Eye of History - When Images Take Positions (Hardcover)
Series: RIC BOOKS (Ryerson Image Centre Books)
Expected to ship within 9 - 15 working days
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An exploration of the interaction of aesthetics and politics in
Bertolt Brecht's "photoepigrams." From 1938 to 1955, Bertolt Brecht
created montages of images and text, filling his working journal
(Arbeitsjournal) and his idiosyncratic atlas of images, War Primer,
with war photographs clipped from magazines and adding his own
epigrammatic commentary. In this book, Georges Didi-Huberman
explores the interaction of politics and aesthetics in these
creations, explaining how they became the means for Brecht, a
wandering poet in exile, to "take a position" about the Nazi war in
Europe. Illustrated with pages from the Arbeitsjournal and War
Primer and contextual images including Raoul Hausmann's
poem-posters and Walter Benjamin's drawings, The Eye of History
offers a new view of important but little-known works by Brecht.
Didi-Huberman shows that Brecht took positions without taking
sides; he used these montages to challenge the viewpoints of the
press and propose other readings, to offer a stylistic and
political response to the inescapable visibility of historical
events enabled by the photographic medium. Brecht's montages
disrupt and scrutinize this visibility by juxtaposing
representations of war found in magazines with his own epigrams-a
"documentary lyricism" that dismounts and remounts modern history.
The montages created meaningful disorder, exposing the truth by
disorganizing-a process Didi-Huberman calls a "dialectic of the
monteur." These works are examples of "the eyes of history"-when
seeing may simultaneously deepen and critique historical knowledge.
The montages Didi-Huberman argues, are Brecht's most Benjaminian
works.
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