Noel Rawsthorne, who was the first British organist to play in the
USSR, met Mushel while on tour and was dismayed to find the young
composer prohibited by the Soviet authorities from performing his
own compositions. Rawsthorne took this piece back to Britain and
edited it for publication. It is very much in the spirit and style
of a Ukrainian Cossack dance; the feel is improvisatory, with
contrasting sections allowing different dancers to express
themselves, before typically culminating in a fast and furious
finish.
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