The Triumph of Pleasure - Louis XIV and the Politics of Spectacle (Paperback)

Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
With bold revisionist strokes, Cowart traces this strain of artistic dissent through the comedy-ballets of Jean-Baptiste Lully and Moliere, the late operatic works of Lully and the operas of his sons, the opera-ballets of Andre Campra and his contemporaries, and the related imagery of Antoine Watteau's well-known painting "The Pilgrimage to Cythera." She contends that through a variety of means, including the parody of old-fashioned court entertainments, these works reclaimed traditional allegories for new ideological aims, setting the tone for the Enlightenment. Exploring these arts from the perspective of spectacle as it emerged from the court into the Parisian public sphere, Cowart ultimately situates the ballet and related genres as the missing link between an imagery of propaganda and an imagery of political protest.

General

Imprint:	University of Chicago Press
Country of origin:	United States
Release date:	October 2014
First published:	September 2014
Authors:	Georgia J. Cowart
Dimensions:	229 x 159 x 2mm (L x W x T)
Format:	Paperback
Pages:	324
ISBN-13:	978-0-226-21155-8
Categories:	Books > Arts & Architecture > Performing arts > Theatre, drama > Opera Books > Arts & Architecture > Performing arts > Dance > Ballet Books > Arts & Architecture > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750) Books > Music > Western music, periods & styles > Baroque music (c 1600 to c 1750) Promotions
LSN:	0-226-21155-X
Barcode:	9780226211558

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