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Rationalizing Culture - IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (Paperback, New)
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Rationalizing Culture - IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (Paperback, New)
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Anthropologist Georgina Born presents one of the first
ethnographies of a powerful western cultural organization, the
renowned Institut de Recherche et de Coordination
Acoustique/Musique (IRCAM) in Paris. As a year-long
participant-observer, Born studied the social and cultural economy
of an institution for research and production of avant-garde and
computer music. She gives a unique portrait of IRCAM's composers,
computer scientists, technicians, and secretaries, interrogating
the effects of the cultural philosophy of the controversial
avant-garde composer, Pierre Boulez, who directed the institute
until 1992. Born depicts a major artistic institution trying to
maintain its status and legitimacy in an era increasingly dominated
by market forces, and in a volatile political and cultural climate.
She illuminates the erosion of the legitimacy of art and science in
the face of growing commercial and political pressures. By tracing
how IRCAM has tried to accomodate these pressures while preserving
its autonomy, Born reveals the contradictory effects of
institutionalizing an avant-garde. Contrary to those who see
postmodernism representing an accord between high and popular
culture, Born stresses the continuities between modernism and
postmodernism and how postmodernism itself embodies an implicit
antagonism toward popular culture.
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