Scale is a word which underlies much of architectural and urban
design practice, its history and theory, and its technology. Its
connotations have traditionally been linked with the humanities, in
the sense of relating to human societies and to human form. To
build in scale is an aspiration that is usually taken for granted
by most of those involved in architectural production, as well as
by members of the public; yet in a world where value systems of all
kinds are being questioned, the term has come under renewed
scrutiny. The older, more particular, meanings in the humanities,
pertaining to classical Western culture, are where the sense of
scale often resides in cultural production.
Scale may be traced back, ultimately, to the discovery of
musical harmonies, and in the arithmetic proportional relationship
of the building to its parts. One might question the continued
relevance of this understanding of scale in the global world of
today. What, in other words, is culturally specific about scale?
And what does scale mean in a world where an intuitive, visual
understanding is often undermined or superseded by other senses, or
by hyper-reality? Structured thematically in three parts, this book
addresses various issues of scale. The book includes an
introduction which sets the scene in terms of current architectural
discourse and also contains a visual essay in each section. It is
of interest to undergraduate and postgraduate students, academics
and practitioners in architecture and architectural theory as well
as to students in a range of other disciplines including art
history and theory, geography, anthropology and landscape
architecture.
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