This study is the first monograph on the work of French
choreographer Jerome Bel, following his artistic trajectory from
the beginning of his career as a choreographer in 1994 to his most
recent piece in 2016. It contains an overview and in-depth analysis
of all of his choreographies, from Nom donne par l'auteur to
Disabled Theatre, and provides a theoretical reflection on their
theatrical nature. Bel has developed a singular discourse on dance
that has often been labelled 'conceptual'. By reducing the stage
elements in his performances to a minimum, his work explores the
implications of dance as an art form that has, since the heyday of
modernism, based its guiding principles on the laws of nature. Bel
addresses the question of power relations in dance by working
through the questions of authorship and various forms of
subjectivity dance produces. Offering a unique opportunity to
ground seemingly abstract academic theories in a specific embodied
artistic practice, this study explores the intersection between
artistic practice and theory.
General
Imprint: |
Palgrave Macmillan
|
Country of origin: |
United Kingdom |
Series: |
New World Choreographies |
Release date: |
October 2017 |
First published: |
2017 |
Authors: |
Gerald Siegmund
|
Dimensions: |
210 x 148mm (L x W) |
Format: |
Hardcover
|
Pages: |
286 |
Edition: |
1st ed. 2017 |
ISBN-13: |
978-1-137-55271-6 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Dance >
General
|
LSN: |
1-137-55271-9 |
Barcode: |
9781137552716 |
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