Radical Aesthetics and Modern Black Nationalism explores the
long-overlooked links between black nationalist activism and the
renaissance of artistic experimentation emerging from recent
African American literature, visual art, and film. GerShun Avilez
charts a new genealogy of contemporary African American artistic
production that illuminates how questions of gender and sexuality
guided artistic experimentation in the Black Arts Movement from the
mid-1960s to the mid-1970s. As Avilez shows, the artistic
production of the Black Arts era provides a set of critical
methodologies and paradigms rooted in the disidentification with
black nationalist discourses. Avilez's close readings study how
this emerging subjectivity, termed aesthetic radicalism, critiqued
nationalist rhetoric in the past. It also continues to offer novel
means for expressing black intimacy and embodiment via experimental
works of art and innovative artistic methods.A bold addition to an
advancing field, Radical Aesthetics and Modern Black Nationalism
rewrites recent black cultural production even as it uncovers
unexpected ways of locating black radicalism.
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