The essays collected in "Parallel Encounters" offer close
analysis of an array of cultural representations of the Canada-US
border, in both site-specificity and in the ways in which they
reveal and conceal cultural similarities and differences.
Contributors focus on a range of regional sites along the border
and examine a rich variety of expressive forms, including poetry,
fiction, drama, visual art, television, and cinema produced on both
sides of the 49th parallel.
The field of border studies has hitherto neglected the
Canada-US border as a site of cultural interest, tending to examine
only its role in transnational policy, economic cycles, and legal
and political frameworks. Border studies has long been rooted in
the US-Mexico divide; shifting the locus of that discussion north
to the 49th parallel, the contributors ask what added complications
a site-specific analysis of culture at the Canada-US border can
bring to the conversation. In so doing, this collection responds to
the demands of Hemispheric American Studies to broaden
considerations of the significance of American culture to the
Americas as a whole--bringing Canadian Studies into dialogue with
the dominantly US-centric critical theory in questions of
citizenship, globalization, Indigenous mobilization, hemispheric
exchange, and transnationalism.
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