Victorian Fiction and the Cult of the Horse (Hardcover, New Ed)

The horse was essential to the workings of Victorian society, and its representations, which are vast, ranging, and often contradictory, comprise a vibrant cult of the horse. Examining the representational, emblematic, and rhetorical uses of horses in a diversity of nineteenth-century texts, Gina M. Dorre shows how discourses about horses reveal and negotiate anxieties related to industrialism and technology, constructions of gender and sexuality, ruptures in the social fabric caused by class conflict and mobility, and changes occasioned by national "progress" and imperial expansion. She argues that as a cultural object, the horse functions as a repository of desire and despair in a society rocked by astonishing social, economic, and technological shifts. While representations of horses abound in Victorian fiction, Gina M. Dorre's study focuses on those novels by Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore that engage with the most impassioned controversies concerning horses and horse-care, such as the introduction of the steam engine, popular new methods of horse-taming, debates over the tight-reining of horses, and the moral furor surrounding gambling at the race track. Her book establishes the centrality of the horse as a Victorian cultural icon and explores how through it, dominant ideologies of gender and class are created, promoted, and disrupted.

General

Imprint:	Ashgate Publishing Limited
Country of origin:	United Kingdom
Release date:	November 2006
First published:	2006
Authors:	Gina M. Dorre
Dimensions:	234 x 156mm (L x W)
Format:	Hardcover
Pages:	192
Edition:	New Ed
ISBN-13:	978-0-7546-5515-2
Categories:	Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century Books > Language & Literature > Literature: history & criticism > Novels, other prose & writers > General
LSN:	0-7546-5515-6
Barcode:	9780754655152

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