The Cinema of Italy, a new addition to the 24 Frames series,
looks at the recurring historical, thematic and stylistic features
of twenty-four of the most important Italian sound films. Viewing
Italian cinema at the intersection of history, politics, art and
popular culture, the 24 concise essays of this anthology
contextualize each film within both Italian and Western film
culture. Alongside the crucial lessons of neorealist masterpieces
such as Rossellini's "Paisan" and De Sica's "The Bicycle Thief,"
this collection looks at how Italian cinema has confronted both the
nation's history ( "1860, Senso, The Conformist, Lamerica"), the
so-called "Southern question" ( "Salvatore Giuliano, Padre
Padrone"), as well as modern configurations of labor and gender
relationships through the films of Camerini, De Santis, Olmi,
Pasolini, Antonioni, Wertm?ller, and the Taviani Brothers. The
Cinema of Italy also considers the very personal works of Fellini,
Ferreri and Moretti and gives special attention to those
film-makers (Argento and Leone) whose cinema directly addresses
such international film genres as horror and the western.
General
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