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Shakespeare's Spiral - Tracing the Snail in King Lear and Renaissance Painting (Paperback)
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Shakespeare's Spiral - Tracing the Snail in King Lear and Renaissance Painting (Paperback)
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Shakespeare's Spiral aims to explore a figure forgotten in the
dramatic texts of Shakespeare and in Renaissance painting: the
snail. Taking as its point of departure the emergence of the
gastropod object/subject in the text of King Lear as well as its
iconic interface in Giovanni Bellini's painting Allegory of
Falsehood (circa 1490), this study sets out to follow the
particular path traced by the snail throughout the oeuvre. From the
central scene in which the metaphor of the snail and of its shell
is specifically made manifest when Lear discovers, in a raging
storm, the spectacle of Edgar disguised as Poor Tom coming out of
his shelter (III.3.6-9) to the monster, this fiend, displaying on
the cliffs of Dover, "horms whelked and waved like the enridged
sea" (IV.6.71), this work is the trace of a narrative - of a
journey of the gaze - during the course of which the cryptic
question of the gastropod - "Why a Snail [...]?" (I.5.26) - does
not cease to be developed and transformed. Incorporating a
wide-ranging post-structuralist critique, the study aims to bring
to light the particular functions of this "revealing detail" in
both its textual and visual dimension so as to put forward a new
and innovatory understanding of the tragedy of King Lear.
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