First published in 1987. While there have been commentaries on his
humour, his seriousness, his social concerns, and other specific
aspects of his work such accounts have only tended to divide our
understanding of the novels, to lead us to see them as failures of
artistic unity. In this book the author seeks to address this
question of unity and find a terminology that can treat language,
plot and representation of reality as a coherent imaginative
effort. This thesis is worked out in detail with reference to
several of the novels, and represents a challenging re-evaluation
Dickens' achievement as a novelist. This book will be if interest
to student of literature.
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