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Benjamin Britten - The Spiritual Dimension (Hardcover, New)
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Benjamin Britten - The Spiritual Dimension (Hardcover, New)
Series: Oxford Studies in British Church Music
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Since Britten's death in 1976, numerous articles and books have
been written about his life and work. Much has been made of the
strong influences of his pacifism and his homosexuality. It is
often suggested that Britten felt himself to be an outsider from
'normal' society, and that this accounts for the his concern to
portray the 'outsider' in his operas. There is no doubt that this
is an important aspect of Britten's art, but the present work
attempts to show that his music embraces much wider and more
universal concerns, and in addressing those concerns there is a
clearly defined pattern of spiritual influence. Part One of the
book examines Britten's early life, and the strong presence which
the Church had in his childhood and adolescence. It explores the
way in which certain spiritual influences were first manifested,
and how, like the more specifically musical 'themes' which Donald
Mitchell has noted, they can be traced throughout Britten's life
and work. The author was privileged to have conversations with two
clergymen who were influential in Britten's life, as well as
gathering valuable insights through a long series of conversations
with Sir Peter Pears. Part Two examines a wide range of the
composer's music in which a spiritual dimension can be traced. The
specifically liturgical music has received rather less critical
notice than Britten's larger works. The music is discussed here,
and shown to possess musical characteristics in common with the
larger works. Britten could not be described as a conventional
Christian; still less is it true to describe him, as Eric Walter
White has done, as 'keen, wherever possible, to work within the
framework of the Church of England'. Nevertheless, his spirituality
was rooted in the religious experience of his childhood. This book
seeks to demonstrate that Britten retained a sense of the Christian
values absorbed in childhood and adolescence, and that these -
along with the specifically Christian heritage of plainsong - were
strongly influential in his choice and treatment of themes.
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