Collaborative and collective art practices have proliferated around
the world over the past fifteen years. In "The One and the Many,"
Grant H. Kester provides an overview of the broader continuum of
collaborative art, ranging from the work of artists and groups
widely celebrated in the mainstream art world, such as Thomas
Hirschhorn, Superflex, Francis Al˙s, and Santiago Sierra, to the
less-publicized projects of groups, such as Park Fiction in
Hamburg, Networking and Initiatives for Culture and the Arts in
Myanmar, Ala Plastica in Argentina, Huit Facettes in Senegal, and
Dialogue in central India. The work of these groups often overlaps
with the activities of NGOs, activists, and urban planners. Kester
argues that these parallels are symptomatic of an important
transition in contemporary art practice, as conventional notions of
aesthetic autonomy are being redefined and renegotiated. He
describes a shift from a concept of art as something envisioned
beforehand by the artist and placed before the viewer, to the
concept of art as a process of reciprocal creative labor. "The One
and the Many" presents a critical framework that addresses the new
forms of agency and identity mobilized by the process of
collaborative production.
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Release date: |
September 2011 |
First published: |
August 2011 |
Authors: |
Grant H. Kester
|
Dimensions: |
235 x 157 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
320 |
ISBN-13: |
978-0-8223-4987-7 |
Categories: |
Books
Promotions
|
LSN: |
0-8223-4987-6 |
Barcode: |
9780822349877 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!