Gregoire Le Roy was at school in Ghent with Maeterlinck and Van
Leberghe, and grew up in the same atmosphere of intellectual
ferment. His first collection of published verse just pre-dates
Maeterlinck's Serres chaudes. His fin-de-siecle poetry was highly
considered at the time of its first appearance, and was widely
published in reviews. He treats all the major themes of the period,
with special emphasis on a melancholy tone, half-tint landscapes,
overt musicality, and (almost obsessively) the destructive nature
of time. This is the first edition since their original publication
in 1889 and 1907 of the three collections of poems by a significant
member of the Belgian Symbolist school. Republishing Le Roy's early
work is an important step in recreating an accurate intellectual
portrait of an important and influential movement.
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