This book is a fascinating exploration into where discussion and
deliberation of religious and spiritual concerns takes place as
participation in traditional religion declines It explores how the
complex and fantastical worlds of speculative television have
become the place where theological questions and issues are now
negotiated, understood, and formed It examines how shows such as
Buffy the Vampire Slayer and Westworld invite their viewers and
fans to engage with and imagine concepts traditionally reserved for
religious spaces The book is informed by recent trends in both fan
studies and religious studies, and with an emphasis on practice as
well as belief It will resonate with scholars and upper-level
students in the areas of religion, television studies, popular
culture, fan studies, media studies, and philosophy
General
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