This title presents a comparative approach to understanding the
centrality of sound to Hindu religious practices. The Hindu world
is permeated by sound: drums, bells, gongs, cymbals, conches,
flutes, and an array of vocalizations play a central role in
worship. Guy L. Beck contends that the traditional Western focus on
Hinduism's visual component has often been at the expense of the
religion's most important feature - its emphasis on sound. In
""Sonic Theology"", Beck addresses this longstanding imbalance,
contending that Hinduism is essentially a sonic theology. Beck
argues that sound participates at every level of the Hindu cosmos.
Comparing the centrality of sound in Hindu theology to its place in
other religions, Beck raises issues about sound and language that
not only reshape our understanding of Hindu worship but also invite
a fresh approach to comparative theology.
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