This volume provides a comprehensive guide to the long tradition of
American avant-garde cinema, from its origins in the 1920s to the
work of contemporary film and video artists. The Reader addresses
major movements and key figures of the avant-garde, including
filmmakers such as Andy Warhol, Kenneth Anger, Isaac Julien and
Julie Dash, investigates how underground films have explored issues
of gender, sexuality and race, and foreground technical innovations
such as the use of Super 8mm and video.
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