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Lorca, Bunuel, Dali - Forbidden Pleasures and Connected Lives (Hardcover)
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Discovery Miles 3 590
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Lorca, Bunuel, Dali - Forbidden Pleasures and Connected Lives (Hardcover)
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List price R459
Loot Price R359
Discovery Miles 3 590
You Save R100 (22%)
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Lorca, Bunuel and Dali were, in their respective fields of poetry
and theatre, cinema, and painting, three of the most imaginative
creative artists of the twentieth century; their impact was felt
far beyond the boundaries of their native Spain. But if
individually they have been examined by many, their connected lives
have rarely been considered. It is these, the ties that bind them,
that constitute the subject of this illuminating book. They were
born within six years of each other and, as Gwynne Edwards reveals,
their childhood circumstances were very similar. Each was affected
by a narrow-minded society and an intolerant religious background
which equated sex with sin and led all three to experience sexual
problems of different kinds: Lorca the guilt and anguish associated
with his homosexuality; Bunuel feelings of sexual inhibition; and,
Dali virtual impotence. Having met during the 1920s at the
Residencia de Estudiantes in Madrid, they developed intense
personal relationships and channelled their respective obsessions
into the cultural forms then prevalent in Europe, in particular
Surrealism. Rooted in emotional turmoil, their work - from Lorca's
dramatic characters in search of sexual fulfilment, to Bunuel's
frustrated men and women, and Dali's potent images of shame and
guilt - is highly autobiographical. Their left-wing outrage
directed at bourgeois values and the Catholic Church was strongly
felt, and in the case of Lorca in particular, was sharpened by the
catastrophic Civil War of 1936-9, during the first months of which
he was murdered by Franco's fascists. The war hastened Bunuel's
departure to France and Mexico and Dali's to New York. Edwards
describes how, for the rest of his life, Bunuel clung to his
left-wing ideals and made outstanding films, while the increasingly
eccentric and money-obsessed Dali embraced Fascism and the Catholic
Church, and saw his art go into rapid decline.
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