Along with Samuel Beckett and Eugene Ionesco, Harold Pinter holds
an undisputed place in the front ranks of contemporary dramatists.
In volume two of his collected works, the plays and revue sketches
mark a period of transition, as Pinter's characters and settings
become more recognizably realistic, in contrast to the absurdist
atmosphere of his earlier work. The Caretaker, which first brought
him fame on both sides of the Atlantic, was called "a play of
strangely compelling beauty and passion" by Howard Taubman of The
New York Times. An essay by Pinter, "Writing for Myself,"
introduces this collection.
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