Books > Science & Mathematics > Science: general issues > Scientific nomenclature & classification
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The Platypus and the Mermaid - And Other Figments of the Classifying Imagination (Paperback, New Ed)
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The Platypus and the Mermaid - And Other Figments of the Classifying Imagination (Paperback, New Ed)
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The Victorians were great classifiers: taxonomy was an art form in
itself in the 19th century. This was also a period in which a great
deal of new information was discovered about the natural world
thanks to voyages of Darwin and the endeavours of an increasingly
professional scientific community. This unconventional and
absorbing book examines the way in which very different groups
within society, from zoologists to butchers, circus entertainers to
artists, categorized and regarded the different types of animals.
In doing so it sheds much light on the beliefs, values and
prejudices of the contemporary mind. (Kirkus UK)
"Cats is 'dogs,' and rabbits is 'dogs,' and so's parrots; but this
`ere 'tortis' is a insect," a porter explains to an astonished
traveler in a nineteenth-century Punch cartoon. Railways were not
the only British institution to schematize the world. This
enormously entertaining book captures the fervor of the Victorian
age for classifying and categorizing every new specimen, plant or
animal, that British explorers and soldiers and sailors brought
home. As she depicts a whole complex of competing groups deploying
rival schemes and nomenclatures, Harriet Ritvo shows us a society
drawing and redrawing its own boundaries and ultimately identifying
itself. The experts (whether calling themselves naturalists,
zoologists, or comparative anatomists) agreed on their superior
authority if nothing else, but the laymen had their say--and Ritvo
shows us a world in which butchers and artists, farmers and showmen
vied to impose order on the wild profusion of nature. Sometimes
assumptions or preoccupations overlapped; sometimes open
disagreement or hostility emerged, exposing fissures in the social
fabric or contested cultural territory. Of the greatest interest
were creatures that confounded or crossed established categories;
in the discussions provoked by these mishaps, monstrosities, and
hybrids we can see ideas about human society--about the sexual
proclivities of women, for instance, or the imagined hierarchy of
nations and races. A thoroughly absorbing account of taxonomy--as
zoological classification and as anthropological study--The
Platypus and the Mermaid offers a new perspective on the constantly
shifting, ever suggestive interactions of scientific lore, cultural
ideas, and the popular imagination.
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