Echoes of Desire variously invokes and interrogates a number of
historicist and feminist premises about Tudor and Stuart literature
by examining the connections between the anti-Petrarchan tradition
and mainstream Petrarchan poetry. It also addresses some of the
broader implications of contemporary critical methodologies.
Heather Dubrow offers an alternative to the two predominant models
used in previous treatments of Petrarchism: the all-powerful poet
and silenced mistress on the one hand and the poet as subservient
patron on the other.
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