Heather James examines the ways in which Shakespeare handles the
inheritance and transmission of the Troy legend. She argues that
Shakespeare's use of Virgil, Ovid and other classical sources
demonstrates the appropriation of classical authority in the
interests of developing a national myth, and goes on to distinguish
Shakespeare's deployment of the myth from 'official' Tudor and
Stuart ideology. James traces Shakespeare's reworking of the myth
in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The
Tempest, and shows how the legend of Troy in Queen Elizabeth's day
differed from that in the time of King James. The larger issue the
book confronts is the directly political one of the way in which
Shakespeare's textual appropriations participate in the larger
cultural project of finding historical legitimation for a realm
that was asserting its status as an empire.
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