Contributors to this exciting new volume examine the
intersection of structure and meaning in Brahms's music, utilizing
a wide range of approaches, from the theories of Schenker to the
most recent analytical techniques. They combine various viewpoints
with the semiotic-based approaches of Robert Hatten, and address
many of the most important genres in which Brahms composed. The
essays reveal the expressive power of a work through the comparison
of specific passages in one piece to similar works and through
other artistic realms such as literature and painting. The result
of this intertextual re-framing is a new awareness of the
meaningfulness of even Brahms s most "absolute" works."
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