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Gender, Writing, and Performance - Men Defending Women in Late Medieval France (1440-1538) (Hardcover)
Loot Price: R2,464
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Gender, Writing, and Performance - Men Defending Women in Late Medieval France (1440-1538) (Hardcover)
Series: Oxford Modern Languages and Literature Monographs
Expected to ship within 12 - 19 working days
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This book explores the poetics of literary defences of women
written by men in late-medieval and early-modern France. It fills
an important lacuna in studies of this polemic in imaginative
literature by bridging the gap between Christine de Pizan and a
later generation of women writers and male, Neo-Platonist writers
who have recently all received due critical attention. Whereas
male-authored defences composed between 1440 and 1538 have
previously been dismissed as "insincere" or "mere intellectual
games," Swift formulates reading strategies to overcome such
critical stumbling blocks and engage with the particular rhetorical
and historical contexts of these works. Edited and as yet unedited
texts by Martin Le Franc, Jacques Milet, Pierre Michault, and Jean
Bouchet-catalogues of women, allegorical narratives, and debate
poems-are brought together and analysed in detail for the first
time in order to explore, for example, how such works address the
misogynistic spectre of Jean de Meun's Roman de la rose.
The book seeks to understand the contemporary popularity of the
case for women (la querelle des femmes) as literary subject matter.
It investigates the publication history across this period, from
manuscript to print, of Le Franc's Le Champion des dames. Swift
further aims to show how these texts hold interest for modern
audiences. A nexus of theoretical concerns centred on performance -
Judith Butler's gender performativity, Derrida's re-working of
Austin's linguistic performativity through spectrality, and
dramatic performance - is enlisted to articulate the interpretative
engagement expected by querelle writers of their audience. The
reading strategies proposed foster a nuanced andenriched
perspective on the question of a male author's "sincerity" when
writing in defence of women.
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