African-American women composers remain largely unknown despite
their important musical contributions. Active in the United States
since the late-19th century, several gained national and
international recognition during their lifetimes, only to have
their work neglected after their deaths. "From Spirituals to
Symphonies" is a unique, extensively researched examination of the
history and scope of musical composition by African-American women,
focusing on the implications of race, gender, and class for their
musical creativity, and demonstrating how this important,
underappreciated category of American art was shaped by the unique
individual personalities of its participants.
Their particular times, communities, families, racial heritages,
economic circumstances, education, and musical training were all
brought to bear on their music, and author Helen Walker-Hill
challenges the assumption that black women's only important musical
contributions have been in folk, jazz, and pop. With unprecedented
detail, she charts the lives and the output of a group of artists
whose work has gone unnoticed for too many years.
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