Before Projection: Video Sculpture 1974 - 1995 shines a spotlight
on a body of work in the history of video art that has been largely
overlooked since its inception. Exploring the connections between
our current moment and t he point at which video art was
transformed dramatically with the entry of large - scale, cinematic
installation into the gallery space . It presents a tightly focused
survey of monitor - based sculpture made since the mid - 1970s. The
exhibition catalogue focuses on the period after very early
experimentation in video and before video art's full institutional
arrival - coinciding with the wide availability of video projection
equipment - in the gallery and museum alongside painting and
sculpture. Proposing to e xamine what aesthetic claims these works
might make in their own right, the exhibition aims to resituate
monitor sculpture more fully into the narrative between early video
and projection as well as assert its relevance for the development
of sculpture ove r the course of the 1980s in general.
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