Esther (1884), the second of two novels by noted American historian
Henry Adams (1838-1918), deals with a woman's inability to accept
religious faith as men have formulated it. Esther Dudley, a young
New York socialite and artist raised without religion, falls in
love with Episcopal clergyman Stephen Hazard, but she cannot
embrace his Christianity and remain true to herself. Displaying the
subtle interplay of mind found in the best work of Henry James,
Esther suggests the symbolism of the Virgin Mary that Adams would
take up some twenty years later in his Mont Saint-Michel and
Chartres, a Study in Thirteenth-Century Unity: Esther rejects
Hazard just as the Virgin rejected the scholastic formulation of
the Trinity and the whole medieval system of moral law.
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