In this conceptually bold project, Heonik Kwon uses anthropology
to interrogate the cold war's cultural and historical narratives.
Adopting a truly panoramic view of local politics and international
events, he challenges the notion that the cold war was a global
struggle fought uniformly around the world and that the end of the
war marked a radical, universal rupture in modern history.
Incorporating comparative ethnographic study into a thorough
analysis of the period, Kwon upends cherished ideas about the
global and their hold on contemporary social science. His narrative
describes the slow decomposition of a complex social and political
order involving a number of local and culturally creative
processes. While the nations of Europe and North America
experienced the cold war as a time of "long peace," postcolonial
nations entered a different reality altogether, characterized by
vicious civil wars and other exceptional forms of violence. Arguing
that these events should be integrated into any account of the era,
Kwon captures the first sociocultural portrait of the cold war in
all its subtlety and diversity.
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